The artifact I have selected is a lightweight and very attractive earthenware vessel of unknown provenance. Its design lends to the idea that it was used by an individual of high social standing, possibly for the consumption of wine or some other beverage. It was most likely wheel-formed given its symmetry and the thinness of…
This is an ornate bronze lamp, dating back to somewhere between the 12-14th centuries, most likely of Iranian origin. It is clear that the body, handle, base, and lid were cast separately by the presence of the welding marks between each individual part. The handle has a thumb rest at the top, with the figure…
Ceramics has evolved greatly over time, not just technologically but also symbolically and artistically. Although we tend to look at ceramics from a purely art historical lens, archaeologically, ceramics have become a way to examine the process of globalization and the expansion of the global trade networks of the modern era. Demand for these has…
Among the ceramics in the Joukowsky’s collection is a mostly complete bowl—the entire base and roughly two-thirds of the sides remaining. The bowl is glazed beige with brown details. The inside bottom contains the most complex design. Many spirals about a centimeter in diameter cover the majority of the bottom. Two opposing wisp shapes…
This item is a circular terracotta stamp, roughly 13 cm in diameter, possibly for leaving an image upon bread. Cast from a mould, it has a sunken figural image in the center, and a banded rope frame around the central image, with another geometric motif along the outer edge (Fig. 1). When pressed into bread,…
By Gaby Hick This week in class we focused on the sculptures found in the Cycladic Islands of the southern Aegean: the collection of art known as Early Cycladic figures. After reading several analyses that hypothesize about the figures’ form, context, and overall meaning, we discussed in our small group sections our observations and our…